Allusions

This is a list of allusions to pop culture found throughout Assassination Classroom.

General=
 * The surnames of the students of class 3-E are derived from the surnames of most of the ronin in the story of the Forty-seven Ronin. Gakuhō Asano's surname is derived from Asano Naganori, the daimyo whom the forty-seven ronin avenged.

Chapters 1-= Chapter 7
 * Korosensei tells the class not to hate assassinations even if they hate him. The quote bears a resemblance to Haruka Shimazaki of Japanese pop group AKB48 telling people not to hate her even if they hate AKB48.
 * When Korosensei drinks Okuda's poison, his head turns into Sonic's with horns.
 * There's a panel where Raoh from Fist of The North Star is shown while looking at a Shooting Star.
 * The peom in back is Shooting Star by Tōson Shimazaki.

Chapter 10
 * American Commodore Matthew Perry is visualized in a seduced appearance as Irina explains to class 3-E the importance of learning how to seduce foreigners.
 * Nakamura and Okajima are also seen dreaming of Jack Sparrow from Pirates of the Caribbean and Lara Croft from Tomb Raider.

Chapter 12
 * Korosensei wears a headband with the symbol of Konohagakure to indicate to Terasaka that he is "weak in multiple subjects", similar to Naruto.

Chapter 13
 * Two of Korosensei's duplicates present themselves to Kimura dressed up as Mickey Mouse and Doraemon.

Chapter 16
 * Kanzaki visualizes Ryuk from Death Note with a ruined face of Jesus identical to that of the fresco painting Ecce Homo, restored in 2012 by amateur Spanish artist Cecilia Giménez.

Chapter 17
 * Kanzaki is seen playing Dance Dance Revolution in the past.

Chapter 18
 * Red Eye imagines numerous red objects inside his sniper's scope, including Elmo, Mario's hat, and a Japan Post mailbox.
 * One of the actors of the samurai show, who is defending a woman, wears a scar and says he wouldn't hurt people. It's a reference to Kenshin Himura from Rurouni Kenshin, a samurai with the same scar, who doesn't like hurt the others if he can and refuse to kill.

Chapter 21
 * The sweets shop navigation system installed by Korosensei into Ritsu has donuts pointing to Australia and Canada, possibly implying locations for Donut King and Tim Hortons.
 * Korosensei explains his expenses on re-programming Ritsu similar to the form of a MasterCard "Priceless" commercial.

Chapter 22
 * Medama-oyaji from GeGeGe no Kitarō can be seen on the blackboard as Korosensei gives a lesson on eye structure.

Chapter 25
 * Irina shows a clip to class 3-E of Samantha and Carrie talking from Sex and the City.

Chapter 27
 * The silhouette of the unkillable monster Lovro envisions has a pose resembling that of Mewtwo from Pokemon, but with extra claws and horns added. The man in front of it wears the same clothes as Ash.

Chapter 29
 * When it is revealed Korosensei and Itona are "brothers", they're subsequently visualized in a series of panels as part of other famous brother duos in their respective roles. The second panel consists of Sazae Fuguta and (sister of) Katsuo Isono from Sazae-san. The third panel consists of Takehiro Donoue (number 63) and Naomichi Donoue (number 1) from the Chunichi Dragons, a Japanese professional baseball team. The last panel consists of Raditz and Goku from Dragon Ball Z.

Chapter 30
 * Shiro can be seen reading volume 3 of The Disaster of Kusuo Saiki.

Chapter 32
 * Korosensei is seen resting with a Cala drink with the logo's font similar to that of Coca-Cola.

Chapter 36
 * Korosensei is making a Kracie Nerune meal while in baseball form.

Chapter 37
 * Sugaya recalls making a drawing of Dutch painter Rembrandt on the back of an assignment.
 * Korosensei tries to feed Irina a stick of Pooky, or Pocky in real life.

'''Chapter 58
 * Korosensei is dressed up like Jiro Horikoshi.

Chapter 63
 * When Fuwa declares Smog to be the culprit who spread the virus, she does so in a manner inspired by Yako Katsuragi from Majin Tantei Nōgami Neuro, Yūsei Matsui's own previous serial. She then explains to Nagisa and Kayano how reading shonen manga makes her adapt to unusual situations, recalling a moment in class when she was daydreaming of meeting Ryuk from Death Note. She then expresses her love of mystery manga, especially from Weekly Shōnen Jump competitors Weekly Shōnen Magazine and Weekly Shōnen Sunday. When Nagisa questions her about Jump, she mentions she might want to buy the new paperback edition, again referring to Majin Tantei Nōgami Neuro and its newly released paperbacks, to which Nagisa and Kayano become shocked over this tongue-in-cheek promotion.

Chapter 67
 * When Korosensei forbid Chiba and Hayami to use real guns in order to hurt or kill someone, he wears a scar which is the same as Kenshin Himura from Rurouni Kenshin.

Chapter 72
 * Usefulness of the Nekodamashi in a fight is compared to the tarot cards of the moon, the fool and the chariot.

Chapter 77
 * Takebayashi's curse is represented by a heart puts in chains. It can be a reference to Kurapika from Hunter x Hunter, who has a chain on his heart. This technique is considered as very bad and dangerous.

Chapter 96
 * Terasaka is cosplayed in Nogami Neuro from Majin Tantei Nougami Neuro.

Chapter 117
 * Page 2, we can see Tetsuya Kuroko from Kuroko's Basket, Kusuo Saiki from Saiki Kusuo no Ψ Nan and Takeo Gouda from Ore Monogatari waiting for food.

Chapter 147
 * On the first page, Nagisa is represented as the Death and Karma as the Devil tarot cards.

Chapter 154
 * The new year's eve's special shows on the TV is probably Sazae-san.
 * The picture of Korosensei's clone between a temple is a reference to a TV show called Yuku Toshi Kuru Toshi (which can be translate by "A year departing and a year coming") which shows live scenes at different temples.
 * The "He was ridiculous!" is a phrase of Nakanishi Takahiro which has became an Internet meme.

Chapter 159
 * One of Korosensei's clone wears a wig with short bangs and an headband on which there is "I cut my bangs too short!". It's a reference to Mito Natsume's song "I cut my bangs too short".

Chapter 162
 * Fuwa imitates the Luffy's Gear Second pose.